Leeming LUT One. Leeming LUT One is the worlds first unified, corrective Look Up Table LUT system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec. Multi camera shoots are now much easier, because you are starting with a common, colour matched baseline, meaning much less time trying to match cameras in post before starting your creative grading. Once all your cameras have been corrected, you can optionally use the specially matched Leeming LUT Quickies for a one touch creative grade designed to work seamlessly with the common baseline of Leeming LUT One corrected footage. Save hours of frustration and give your footage the best possible quality right out the gate. Its as easy as Shoot Apply Leeming LUT One Done Select the LUTs you wish to purchase using the Pay. Pal links below. You can also pay with Bitcoin BTC if you prefer. Most LUTs now support multiple camera models from a manufacturer. You can check the supported camera list to confirm that your particular model has been tested if you are unsure. The LUT will be manually emailed to you as a ZIP file with instructions from. I send out all LUTs as soon as I see the message from Pay. Pal, but this isnt always instant, so please be patient as it can sometimes take a few hours. S-LOG_Colour_Grading_01.jpg' alt='Sony Slog2 Lut' title='Sony Slog2 Lut' />Buy Sony Alpha a7S II Mirrorless Digital Camera Body Only features 12. MP FullFrame Exmor CMOS Sensor, BIONZ X Image Processor. Review Sony Mirrorless System. While you are waiting, you can set up your camera using the associated downloadable PDF guide, and begin shooting with the recommended settings for that LUT. Supported Camera List Confirmed OK Panasonic GH5, GH4, GH4. R, G7, G7. 0, G8, G8. GX8, FZ3. 00, FZ1. FZ2. 00. 0, FZ2. 50. Sony A7. S, A7. SII, A7. RII, A7. III, A6. Leeming LUT One is the worlds first unified, corrective Look Up Table LUT system for supported cameras, designed to maximise dynamic range, fix skin tones. Ive been shooting with my new Sony A7S II extensively over the last couple of weeks, and recently developed a LUT that Ive been using with all of my SLog 3. Here are the complete details of how I customize the Sony a7Rii to get the best possible sharpness and overall image quality for landscape photography. A6. 30. 0, A6. 50. FS5, FS7, RX1. 0II, RX1. III, RX1. 0IV, RX1. IV, RX1. 00. VCanon 5. D4, 5. D3, 6. D2, 6. D, 7. D2, 7. D, 8. D, 7. 0D, 6. 0D, 5. D, 4. 0D, 8. 00. D, 7. D, 6. 00. D 5. 00. DJVC GY LS3. 00. Go. Pro Hero. 4 Silver Black, Hero. Single Collection Crazy Ken Band Rar. Silver Black, Hero. Black, Session. DJI Zenmuse X5. Sony Slog2 Lut' title='Sony Slog2 Lut' />Enter your email address to subscribe to this blog and receive notifications of new posts by email. Join 4,620 other subscribers. Some time ago I started using the Sony A7R2 mirrorless camera for my video productions. Its an incredible camera with specs like 42,4 megapixel, 4K video recording. To get this awesome LUT, just sign up for the Ground Control Newsletter with your name and valid email. If you want more awesomeness for your Sony footage, check out. How to LUT Cinema Look Duration 1230. A tutorial for quick and easy color grading for the SLog profile using DaVinci and Vision Color LUTs. Perfect for new Sony A7S and FS7 shooters that just. Dont see your camera above Would you like to see it supported It can be, with your help Please download my guidelines PDF for camera setup, contact me for further instructions and receive a free LUT once completed to say thanks Supported Editing Software. Davinci Resolve. Adobe Creative Cloud. Final Cut Pro X needs LUT plug in Magix Vegas. Grass Valley Edius. Supported External Recorders. Video Devices PIX EAtomos Shogun, Ninja, Assassin, Inferno, Flame, Sumo. Convergent Design Odyssey, Apollo. Blackmagic Design Video Assist. Using the LUT1. Buy the appropriate LUT for your cameras. Set up each camera as per the linked guide. White balance the camera using a spectrally neutral white or grey balance card. Shoot using ETTR principles. New Latest Vista Themes here. Install the LUT PDF in your editing software. Apply Leeming LUT One to your footage to correct and normalise it to a common baseline. Optionally apply the free Leeming LUT Quickies for an instant look that retains all the dynamic range of the original image, or create your own looks manually in your preferred colour grading application. How To Shoot Using ETTR Principles. Exposing To The Right ETTR after white balancing is the way we maximise the cameras dynamic range and tonality while minimising shadow noise. To do this successfully and efficiently, we require some visual tools to help us in camera. The main tools to judge exposure on a video camera are, generally speaking Zebras rolling 4. Histogram a horizontal graph showing exposure on the X axis, and the percentage of image exposed at each level on the Y axis. False Colour differently coloured areas depending on underlying exposure level. On most prosumer cameras, the zebras and histogram are the only tools available, so it is these I will concentrate on. For cameras with zebras my recommended tool for ETTR, you can use them to easily see what parts of your image are overexposed, and adjust accordingly The following diagram shows you what to look for when using your histogram to Expose To The Right, if zebras are not available Master the histogram or zebras and you will quickly nail the correct ETTR exposure, all while maximising dynamic range and minimising noise. If you are interested in learning more about how ETTR works at a technical level, and why it is the right way to expose for maximum dynamic range, you can read more below. ETTR Theory. The foundation of Leeming LUT One is shooting for maximum dynamic range while retaining highlight information by Exposing To The Right ETTR, but not overexposing. This highlight retention is critical in making an image look filmic while minimising sensor noise, but why is it the best technique to use for videoTo understand ETTR, we need to look at digital sensors and how they work. Julesjordan Kagney Linn'>Julesjordan Kagney Linn. First, you need to adjust your brain to think in binary, not base 1. Dont worry, Ill try to make it easy with the examples below Lets say you have an 8 bit camera, and the sensor happens to have exactly 8 stops of dynamic range for the exercise. So each stop uses one extra binary bit in describing each of the R G B channels, in linear space. At the bottom stop you can only flip a single bit, giving you the following eight options to describe the colour Red, for example 0. Black in base. 10 0. Red in base. 10 0. Green in base. 10 0. Blue in base. 10 0. Cyan in base. 10 0. Yellow in base. 10 0. Pink in base. 10 0. White in base. 10 Now, the sensor to digital signal conversion has to decide which of the eight potential values is the correct one. If the red you see with your eyes is just a smidgen closer to green than to red, for example, the conversion might decide that the single bit it has control over should go in the Green column. But because we are at the bottom stop, it has no colour depth to be subtle, so it can only choose full on green. We see this as a noisy, green pixel on our screens. Even if it were to pick correctly, wed see a full on red pixel on our screens, even if the true colour was not so saturated or bright. So every possible colour at the bottom stop, from the billions we can see with our eyes, can only be represented with eight binary digital values. In other words, terrible colour depth and resolution. As you move up a stop, you get more possible combinations to represent your colours you can flip up to two bits 0. Now you have slightly more values with which to describe your colour. As you can see though, as you go up each stop, you quickly and exponentially get a lot more possible binary combinations with which to describe your colour, meaning more colour precision or resolution or bit depth and hence, less visual noise. The top stop closest to the highlights contains fully half of the available possible colour values, in binary digital form, because we can flip each of the 8 bits on or off for each of the R G B channels. So for linear space digital recording, if you underexpose by even one stop compared to full ETTR principles, you are effectively throwing away half of your colour resolution tonality because those potential high resolution values are sitting idle. Leeming LUT QuickiesWhile Leeming LUT One will get you to a neutral, corrected colour image with a single click, many users have asked for additional, stylised looks to help get to a finished image more quickly. A one two punch if you will, with instant results. As a way of saying thank you for buying my LUT, I have made available some Quickies to get you there with no muss, no fuss.